The Use of Naturalism in the Work of Fabergé

A & I Hall
Mon 14 Sep '26

Overview

The name Fabergé is synonymous with pre-revolutionary Russia, imperial patronage and extraordinary craftsmanship. Beyond the famed Easter eggs, however, lies a sophisticated body of work deeply informed by naturalism and artistic experimentation. This illustrated presentation explores Fabergé's nuanced use of naturalistic detail, with particular focus on lesser-known Art Nouveau influences, finely carved hardstone animals and botanical studies…

The name Fabergé is synonymous with pre-revolutionary Russia, imperial patronage and extraordinary craftsmanship. Beyond the famed Easter eggs, however, lies a sophisticated body of work deeply informed by naturalism and artistic experimentation.

This illustrated presentation explores Fabergé's nuanced use of naturalistic detail, with particular focus on lesser-known Art Nouveau influences, finely carved hardstone animals and botanical studies. It also examines how natural imagery was woven into functional objets d'art, including desk seals and caviar dishes, revealing the breadth and subtlety of Fabergé's creative output.

Claire Blatherwick is an independent jewellery consultant and historian based in Scotland, with more than two decades of experience in the international jewellery trade. Formerly Head of Jewellery for Bonhams in Scotland, she has travelled extensively sourcing significant pieces for auction. Claire lectures internationally, has appeared on television in the UK and United States, and is a member of the Society of Jewellery Historians.

Location

A & I Hall

Station Street Bangalow NSW 2479 Australia

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Location - Station Street Bangalow NSW 2479 Australia

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Disabled access available, contact operator for details.